HANLEY a.
  • audio–visual
    • BLOOM: WE'RE GOING TO DIE, 2020
    • Resonant Incantations, 2020
    • The Book of Dream, 2018/19
  • BCSC Residency
    • Junction Re-Sonant
    • BCSC Entry 1
    • BCSC Entry 2
    • 13 Responses
  • Sound Art
    • sirmadamsir: oriented performativity or what does judy want?, 2019
    • ext. track, 2019
    • Milk., 2017
  • Installation
    • H:O:M:E, 2018
  • Performance
    • Exercises i0ㄥ.a+ʇeNsio_01, 2019
    • Dehiscence, 2017
  • Practice-based research
    • On Ambience(s), Decolonising Catastrophe(s) and the Timbre of Bodies, 2019
    • Sonic Entanglements: Bodies of the Valley, 2018
    • People, Bottles and Rivers All Have Mouths, 2017
  • Bio
  • Contact
  • audio–visual
    • BLOOM: WE'RE GOING TO DIE, 2020
    • Resonant Incantations, 2020
    • The Book of Dream, 2018/19
  • BCSC Residency
    • Junction Re-Sonant
    • BCSC Entry 1
    • BCSC Entry 2
    • 13 Responses
  • Sound Art
    • sirmadamsir: oriented performativity or what does judy want?, 2019
    • ext. track, 2019
    • Milk., 2017
  • Installation
    • H:O:M:E, 2018
  • Performance
    • Exercises i0ㄥ.a+ʇeNsio_01, 2019
    • Dehiscence, 2017
  • Practice-based research
    • On Ambience(s), Decolonising Catastrophe(s) and the Timbre of Bodies, 2019
    • Sonic Entanglements: Bodies of the Valley, 2018
    • People, Bottles and Rivers All Have Mouths, 2017
  • Bio
  • Contact
Sonic Entanglements: Bodies of the Valley, 2018
16 mins, 56 secs, stereo sound
ABSTRACT
Sonic Entanglements: Bodies of the Valley is a practice-based creative research project that uses the theoretical framework of queer ecologies and an iterative audio recording/playback methodology to problematise the inside-outside distinction between listening-hearing and self-environment. 

​The research practice is inspired by Alvin Lucier’s I am Sitting in a Room (1981), though my research is conducted in the Brunswick Valley, properly known as Moonee Ponds Creek, Victoria, Australia. This work aims to enact an embodied listening experience that stimulates an awareness of the interdependence and multiple temporalities of bodies and environments.

​The intention of the project is to compel a listener to critically consider how an awareness of the permeability of boundaries between bodies can challenge us to rethink the anthropocentric concept of “Nature”— to consider humans and technology, not merely in relation to the environment, but rather as part of the environment.
With gratitude, I would like to acknowledge the Wurundjeri people of the Kulin Nation and future generations of Wurundjeri people as the Traditional Custodians of the land and waterways of inner northwest Melbourne, where I live today.
Sovereignty has never been ceded.
​It always was and always will be, Aboriginal land.




© Amy Hanley 2020
  • audio–visual
    • BLOOM: WE'RE GOING TO DIE, 2020
    • Resonant Incantations, 2020
    • The Book of Dream, 2018/19
  • BCSC Residency
    • Junction Re-Sonant
    • BCSC Entry 1
    • BCSC Entry 2
    • 13 Responses
  • Sound Art
    • sirmadamsir: oriented performativity or what does judy want?, 2019
    • ext. track, 2019
    • Milk., 2017
  • Installation
    • H:O:M:E, 2018
  • Performance
    • Exercises i0ㄥ.a+ʇeNsio_01, 2019
    • Dehiscence, 2017
  • Practice-based research
    • On Ambience(s), Decolonising Catastrophe(s) and the Timbre of Bodies, 2019
    • Sonic Entanglements: Bodies of the Valley, 2018
    • People, Bottles and Rivers All Have Mouths, 2017
  • Bio
  • Contact