HANLEY a.
  • audio–visual
    • BLOOM: WE'RE GOING TO DIE, 2020
    • Resonant Incantations, 2020
    • The Book of Dream, 2018/19
  • BCSC Residency
    • Junction Re-Sonant
    • BCSC Entry 1
    • BCSC Entry 2
    • 13 Responses
  • Sound Art
    • sirmadamsir: oriented performativity or what does judy want?, 2019
    • ext. track, 2019
    • Milk., 2017
  • Installation
    • H:O:M:E, 2018
  • Performance
    • Exercises i0ㄥ.a+ʇeNsio_01, 2019
    • Dehiscence, 2017
  • Practice-based research
    • On Ambience(s), Decolonising Catastrophe(s) and the Timbre of Bodies, 2019
    • Sonic Entanglements: Bodies of the Valley, 2018
    • People, Bottles and Rivers All Have Mouths, 2017
  • Bio
  • Contact
  • audio–visual
    • BLOOM: WE'RE GOING TO DIE, 2020
    • Resonant Incantations, 2020
    • The Book of Dream, 2018/19
  • BCSC Residency
    • Junction Re-Sonant
    • BCSC Entry 1
    • BCSC Entry 2
    • 13 Responses
  • Sound Art
    • sirmadamsir: oriented performativity or what does judy want?, 2019
    • ext. track, 2019
    • Milk., 2017
  • Installation
    • H:O:M:E, 2018
  • Performance
    • Exercises i0ㄥ.a+ʇeNsio_01, 2019
    • Dehiscence, 2017
  • Practice-based research
    • On Ambience(s), Decolonising Catastrophe(s) and the Timbre of Bodies, 2019
    • Sonic Entanglements: Bodies of the Valley, 2018
    • People, Bottles and Rivers All Have Mouths, 2017
  • Bio
  • Contact
Ext. Track, 2019
4 mins, 24 secs, stereo sound
Ext. track is a four minute sketch cut from the introduction of a permanently unfinished track - an ongoing session, a space for throwing down ideas and burning field recordings. This release is a precursor to some more works-in-progress, along with the recent sessions sculpted at Melbourne Electronic Sound Studio (@mess_ltd).
 

​Bandcamp link here.
With gratitude, I would like to acknowledge the Wurundjeri people of the Kulin Nation and future generations of Wurundjeri people as the Traditional Custodians of the land and waterways of inner northwest Melbourne, where I live today.
Sovereignty has never been ceded.
​It always was and always will be, Aboriginal land.




© Amy Hanley 2020
  • audio–visual
    • BLOOM: WE'RE GOING TO DIE, 2020
    • Resonant Incantations, 2020
    • The Book of Dream, 2018/19
  • BCSC Residency
    • Junction Re-Sonant
    • BCSC Entry 1
    • BCSC Entry 2
    • 13 Responses
  • Sound Art
    • sirmadamsir: oriented performativity or what does judy want?, 2019
    • ext. track, 2019
    • Milk., 2017
  • Installation
    • H:O:M:E, 2018
  • Performance
    • Exercises i0ㄥ.a+ʇeNsio_01, 2019
    • Dehiscence, 2017
  • Practice-based research
    • On Ambience(s), Decolonising Catastrophe(s) and the Timbre of Bodies, 2019
    • Sonic Entanglements: Bodies of the Valley, 2018
    • People, Bottles and Rivers All Have Mouths, 2017
  • Bio
  • Contact