HANLEY a.
  • audio–visual
    • BLOOM: WE'RE GOING TO DIE, 2020
    • Resonant Incantations, 2020
    • The Book of Dream, 2018/19
  • BCSC Residency
    • Junction Re-Sonant
    • BCSC Entry 1
    • BCSC Entry 2
    • 13 Responses
  • Sound Art
    • sirmadamsir: oriented performativity or what does judy want?, 2019
    • ext. track, 2019
    • Milk., 2017
  • Installation
    • H:O:M:E, 2018
  • Performance
    • Exercises i0ㄥ.a+ʇeNsio_01, 2019
    • Dehiscence, 2017
  • Practice-based research
    • On Ambience(s), Decolonising Catastrophe(s) and the Timbre of Bodies, 2019
    • Sonic Entanglements: Bodies of the Valley, 2018
    • People, Bottles and Rivers All Have Mouths, 2017
  • Bio
  • Contact
  • audio–visual
    • BLOOM: WE'RE GOING TO DIE, 2020
    • Resonant Incantations, 2020
    • The Book of Dream, 2018/19
  • BCSC Residency
    • Junction Re-Sonant
    • BCSC Entry 1
    • BCSC Entry 2
    • 13 Responses
  • Sound Art
    • sirmadamsir: oriented performativity or what does judy want?, 2019
    • ext. track, 2019
    • Milk., 2017
  • Installation
    • H:O:M:E, 2018
  • Performance
    • Exercises i0ㄥ.a+ʇeNsio_01, 2019
    • Dehiscence, 2017
  • Practice-based research
    • On Ambience(s), Decolonising Catastrophe(s) and the Timbre of Bodies, 2019
    • Sonic Entanglements: Bodies of the Valley, 2018
    • People, Bottles and Rivers All Have Mouths, 2017
  • Bio
  • Contact
[1]3 RESPONSES, 2020
1. Evening Sketch
2. Little Arthur In The Chest 
3. Junction Re-Sonant 
4. Sweetwater Percussion
Artist Statment
​During my residency at BCSC I began producing a series of sonic responses, a compilation of fragments, intended to be listened to as a whole. Shortly after arriving, I became consumed by the Junction Dam and so I spent most of my afternoons inside the elongated passage of concrete, practicing the iterative/recording playback methodology that informs the work Junction Re-Sonant, the third of these sketches. Although, a body may (arguably) leave an environment, the environment does not leave the body – there will be many more responses to follow.    
RESPONSE ONE - Evening Sketch
Amy Hanley · BCSC Evening Sketch 240320
RESPONSE TWO- Little Arthur In the Chest
Amy Hanley · BCSC Little Arthur In the Chest 250320
RESPONSE THREE - Junction Re-Sonant
Amy Hanley · BCSC Junction Re-Sonant 280320
RESPONSE FOUR - Sweetwater Percussion
Amy Hanley · BCSC Sweetwater Percussion 040420
With gratitude, I would like to acknowledge the Wurundjeri people of the Kulin Nation and future generations of Wurundjeri people as the Traditional Custodians of the land and waterways of inner northwest Melbourne, where I live today.
Sovereignty has never been ceded.
​It always was and always will be, Aboriginal land.




© Amy Hanley 2020
  • audio–visual
    • BLOOM: WE'RE GOING TO DIE, 2020
    • Resonant Incantations, 2020
    • The Book of Dream, 2018/19
  • BCSC Residency
    • Junction Re-Sonant
    • BCSC Entry 1
    • BCSC Entry 2
    • 13 Responses
  • Sound Art
    • sirmadamsir: oriented performativity or what does judy want?, 2019
    • ext. track, 2019
    • Milk., 2017
  • Installation
    • H:O:M:E, 2018
  • Performance
    • Exercises i0ㄥ.a+ʇeNsio_01, 2019
    • Dehiscence, 2017
  • Practice-based research
    • On Ambience(s), Decolonising Catastrophe(s) and the Timbre of Bodies, 2019
    • Sonic Entanglements: Bodies of the Valley, 2018
    • People, Bottles and Rivers All Have Mouths, 2017
  • Bio
  • Contact